If You Dont Know by Now I Be in Roy Woods

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Roy Woods

Who Is Roy Woods?

Roy Woods (stylized to Roy Wood$), twenty, is based in Ontario, California. His real name is Denzel Spencer and he is signed to OVO. Some of his biggest influences are PartyNextDoor, The Weeknd and Drake. Coy past nature, the interviews that he agrees to are few and far between; to our frustration, he rarely shares details about his personal life. It is unknown whether he currently has a girlfriend.

Although his music is certainly similar to that of the artists mentioned higher up, he has definitely created his own distinctive sound. He playfully explores the dancehall/island vibe, with laid-back, patois-rich vocals and sweeping, mellow synths, still his music possesses a certain flair that few manage to compete with. While a number of his songs are at-home and cryptic, others express particular malaise that Roy Woods conveys with harsher vocals and heavier beats (e.k., Unleashed, from Exis).

He released his showtime studio anthology, Exis, in 2015. The first music video to be put out was Jealousy, which saw two million views in its get-go year of existence on YouTube. Exis merely features six songs, all cocky-written. He considered Exis "more than of an abstruse concept than an album, beautiful and dreamy, but a precursor to a more polished hereafter sound".

His most recent releases, Waking At Dawn (2016), Nocturnal (2016) and Say Less (2018), are certainly more than elegant and refined than Exis. Roy Woods certainly knows how to evangelize; the unwaveringly poignant Jamaican patois beats accompany his vocals splendidly in all three albums.

Roy Woods

Roy Wood'due south Sound: Dancehall Meets Synth RnB

Denzel Spencer's music is effortless and calorie-free, while being tricky in a manner that other artists fail to be. Many of his songs sound very Jamaican, featuring common patois like "gwan" and "come thru".

Q:How Jamaican is Roy Woods's music?

As mentioned to a higher place, Spencer is never agape to incorporate some of his roots into his synth-driven ballads, but his music comes beyond as mainly Western instead of authentically Jamaican. He definitely enjoys weed and mentions information technology in many of his songs; the music video for Jealousy is minimalistic and shows Spencer smoking upwardly continuously, along with to lyrics like "I stay high, never sober". However, his appreciation of the herb does not seem to extend beyond that of a recreational user. There is no mentioning of Jah or Rastafarian civilisation, simply some street patois and the mellow isle-vibe that we all beloved.

Q: Roy Woods' Sound: Dancehall Meets RnB

Traditional Jamaican dancehall is characterised by fast rhythm and optimistic, reggae undertones. Dancehall has been seen to appeal to the pop manufacture, due to its upbeat, summery nature. Artists such as Rihanna and Drake have taken advantage of this - Drake's song Ane Dance, which dominated the summer of 2016, is a good example of a catchy yet generic dancehall sound.

In my opinion, Spencer's but true dancehall song is Gwan Big Up Urself, the first single he released off Waking At Dawn. The balance of his music is predominantly RnB, and is the perfect affiliation of sweeping vocals, light use of vulgarities, and sparkly, PartyNextDoor-esque synths.

Spencer's major influences are The Weeknd, Drake and PartyNextDoor. I would say that he is an uncanny mixture of all three, while also beingness entire different and, in some means, more quirky. He is not nearly equally mysterious and night as The Weeknd, which could make his music less interesting, yet he does not display Abel's lack of respect for women in his music, instead of telling his girl to "gwan large upwards" herself (congratulate herself). This is a refreshing, endearing thing to see in this niche of music. His music could be seen every bit less catchy than Drake's, but I cartel say that he is more creative and talented. PartyNextDoor has definitely majorly influenced his apply of soaring, late-dark synths, but Spencer has certainly not imitated him.

Gwan Big Upward Urself

Roll to Go along

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Q: Does Roy Woods Smoke Weed?

A lot of people wonder whether or not Roy Woods smokes quite as much weed equally his music would suggest. According to his Instagram feed and his live videos, he certainly does enjoy sparking upwardly a blunt (hopefully in California, where it is legal!). He does, all the same, seem to mainly maintain an anti-drugs opinion, saying "I don't wanna pop a pill tonight.." and "I don't party on Saturday no more than...", and does not glamorize drugs.

Exis (2015) - Album Summary

Exis is a sweetness and short exploration of nocturnal RnB. Its sound is sepia-coloured and delightfully syrupy. While it gives us an insight into Spencer's hedonistic life, based around girls, late nights and drugs, the listener also begins to realise that he is a securely introspective soul. It is clear that he enjoys a party but that he is non truly nihilistic, instead greatly sentimentalising his existence. This is expressed by his occasional hot, bawling angst and conveyance of misery, particularly in Unleashed. Throughout Exis, he comes across as a troubled young homo, with lyrics like "should I endeavour suicide over again?", but it is clear that he is inherently empathetic, fairly respectful towards girls and fiercely loyal to the male friends that he considers brothers.

ane. Innocence

This song is personally my favourite, and is of extremely loftier caliber and musical power. Four minutes long, it starts with spaced-out, ambiguous synth and the sound of Spencer sipping a beverage and warming up. This is followed past nearly two minutes of surreal, vulgar vocals, including the lyrics "got a lot of weed, smoke all yous desire" and "I was on molly before I got to the party.. and when I come downward, f*** a comedown, imma turn up". With the latter, he is saying that he will fume weed to delay the imminent drug comedown. The apply of MDMA is extremely pleasurable but causes the regular user's life to become a long chain of powerful stimulant highs that are followed by miserable crashes. Spencer's life is probably total of partying and filling the void, and this thought is supported by the cocky-deprecating, resonating lyric "I'grand a freak, I'm a dog".

2. Go Get Go

This song is simplistic but allows Spencer to testify off his undeniably beautiful vocalization. He sings softly and in a Jamaican accent throughout. He comes across as pained yet simultaneously relieved - he sings "I let my pain go, go, go, go"; it is clear that he is finding emotional relief in sex with his girlfriend. However, this is conspicuously temporary equally he seems relatively unhappy with the relationship. The lyric "I see how you change at night, nothing like your basement lies", indicating that Roy Forest's girl has two different personas, ane of which he doesn't know very well. "Pick and choose what y'all demand and what you want" shows that she is perchance manipulative and an attempt to exist with, simply Spencer seems happy enough with her, as the physicality of their relationship temporarily alleviates some of his mental trauma. Remember, filling the void always results in more pain!

3. Unleashed

This song is depressive and unapologetically angsty. Information technology showcases just how assertive Spencer is, and how he feels a constant sense of injustice that people envy his success, assertive that they merely don't deserve information technology ("some n****due south want the s*** I got before I even got information technology"). He clearly feels a lot of tension when he returns to Ontario to run across his close friends, as many other people attempt to befriend him solely based on his newfound fame. Spencer alludes to a suicidal past, with the line "should I endeavour suicide once more? I still don't meet the point in but living in hell" - he has come far but his soul is still dissatisfied with life. The main bulletin of Unleased is that Spencer volition remain untamed and true to his background. Even though he has come into success and coin, he still sings "me and my niggas are unleashed, terrorize the motherfucking streets" and "we are rough, gotta eat". He wants the listener to know that he takes nothing for granted, but will as well never exist tamed or conditioned by the music industry.

four. Drama (ft. Drake)

In Drama, Spencer sings "you lot don't smoke but it's cool while y'all're friends", "17 I saw you out by 10, firm party ting, turn up with your mates", showing that he is romantically interested in the girl, but ultimately respects that she is too young for him. The fact that her parents control her liberty proves this. Instead of interim on the romantic feelings that he has adult for her, he actively expresses dislike at how her friends are leading her astray with weed and tardily nights. He sings "arguments all twenty-four hours with your rents, just to go out, gotta fight for this shit", followed past "gotta realise yous're a high-school daughter"- he is humorously mockingly the girl's indignation at her parents' rules, and her want to fight to go and party. He thinks she should stay at home and practise her schoolhouse work, merely a part of him is drawn to her dazzler and precocious ways. Drake comes in with smooth vocals, apropos the girl's ex-boyfriend - he croons "girl you never needed him". Together, Drake and Spencer limited that this girl is enticing and a work of art, while also immature ("she got a little bit of drama with her friends"). She is only 17, so isn't past petty daughter drama nonetheless.

5. Get Y'all Good

By far the catchiest, nigh upbeat song on Exis, Get You Good is a lust-driven, emotional weep to his new lover. Spencer definitely strays from his usual sound in this song - his vox is more resonating and clearer than usual, almost an ode to Michael Jackson. The theme is sexual; he sings "don't let your panties get too wet" and "I know there'south things that he didn't show you". He is putting himself on a pedestal over his daughter's by lover, just instead of seeming arrogant, it is clear that he is mainly insecure about her previous relationships.

6. Jealousy

Roy Woods (Spencer) certainly loves to think that he is the field of study of peachy green-eyed, whether from his electric current lover, with regards to their human relationship, or from the haters that can't stand his success. There is an undertone of boldness towards his girl in this song, which is non nowadays in any other Exis songs. He petulantly sings "why you catching feelings? Why you then jealous?", suggesting that he desires a coincidental lover and non the girlfriend that he has ended up with. She's become too clingy and he wants out. He is smoking weed constantly in the Jealousy music video, staying true to the resonating lyric "I stay high, never sober". In Jealousy, we see Spencer in a new, slightly sinister light. He seems less similar an artistic, manic genius and more like a classicly hedonistic RnB creative person, in love with intoxication and against committing to a girl.

Say Less by Roy Woods: 2017 Anthology

Exis vs. Waking At Dawn

© 2016 Lucy

Lucy (author) from Leeds, Britain on September 07, 2018:

@angel valdez That may be the case, but most of his lyrics seem to convey that he is moving on from drugs (other than weed) and partying.

affections valdez on September 07, 2018:

this article is so incorrect. This guy used to alive near me and hes always xanned out

catalanoshery1976.blogspot.com

Source: https://spinditty.com/genres/roywoods

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